摘要
留学生是中国近现代洋画运动兴起的主导性力量,江苏籍留学美术家居功甚伟。徐悲鸿、刘海粟、颜文樑是中国现代美术的主要奠基者,他们积极引介西方美术的观念和方法,并结合国情和个人审美实现本土转化。民国时期洋画运动思潮具有多元性特征,可归为写实主义、印象派及后期印象派、现代主义三个倾向性思潮。徐悲鸿、吴作人、吕斯百、张安治等艺术家是中国现代美术“写实主义阵营”的骨干。颜文樑、刘海粟、吴大羽、庞薰琹等艺术家则是倡导印象派、后期印象派、现代派绘画的领军人物。
Overseas students have been the dominant force driving the modernist art movement in recent centuries,with Jiangsu-born artists making significant contributions.Among them,XU Beihong,LIU Haisu and YAN Wenliang were the principal founders of modern Chinese art,actively introducing the concepts and methods in Western art while also localizing them for the national adaptation and personal aesthetics.During the era of the Republic of China,the Western painting movement was characterized by its multiplicity,which could be categorized into three trends:realism,impressionism&post-impressionism,and modernism.Among the painters,XU Beihong,WU Zuoren,LV Sibai and ZHANG Anzhi were the backbone of the“realist school”in modern Chinese art.While YAN Wenliang,LIU Haishu,WU Daoyu and PANG Xunji were prominent figures who championed Impressionism,Post-impressionism and Modernism in painting.
作者
朱平
ZHU Ping(College of Art&Design,Nanjing Forestry University,Nanjing,Jiangsu 210037,China)
出处
《贵州大学学报（艺术版）》
2024年第4期27-33,共7页
Journal of Guizhou University Art Edition
基金
2023年度江苏省社会科学基金一般项目“江苏地域近代美术留学史料整理与研究(1904—1949)”(项目编号:23YSB004)。
关键词
美术留学生
洋画运动
本土转化
多元思潮
江苏美术家
overseas art students
Western painting movement
localization
pluralistic thoughts
Jiangsu artists
