摘要
地方形象的塑造有多重向度,现代化或古典化是目前中国文学地方书写的两种重要路径,它们代表着作家的不同审美选择和话语建构方式。从书写方式发生历史看,古典化书写是近年来中国作家对前期作家现代化形象书写的回应与反思,是中国文化与世界文化交流、碰撞后的重要现象。常建世诗歌的漾濞形象书写塑造,正是这种时代思想潮流的组成部分,他在塑造漾濞审美形象的过程中,将农业文明时代的古典文化资源转变为新时代话语,形成了自己的诗歌创作思路。
The shaping of local images has multiple dimensions.Modernization or classicization are two important paths for native-soil writing in Chinese literature,which represent different aesthetic choices and discourse construction methods.From the perspective of the history of writing methods,classical writing is the response and reflection of Chinese writers in recent years to the modernized image writing of earlier writers.It is an important phenomenon after the exchange and collision between Chinese culture and world culture.The writing and shaping of the image of Yangbi in Chang Jianshi's poems is an integral part of this ideological trend of the times.In the process of shaping the aesthetic image of Yangbi,he transformed the classical cultural resources of the agricultural civilization era into the discourse of the times,and formed his own poetry creation ideas.
作者
杨增良
Yang Zengiang(School of Literature,Dali University,Dali,Yunnan 671003,China)
出处
《大理大学学报》
2024年第5期79-83,共5页
Journal of Dali University
基金
云南省哲学社会科学规划项目(YB2022079)。
关键词
传统资源
现代转化
常建世
漾濞塑造
traditional resources
modern transformation
Chang Jianshi
Yangbi shaping
