摘要
传统木版年画历经岁月境迁、历史钩沉,承继农业文明时代敬神祈福的文化传统,演绎为工业文明时代的文化遗产。内丘神码作为我国木版年画的活化石,在历史流变中形塑了艺术形式与文化功能,成为邢台内丘地区的复合型民俗事象。当前,内丘神码立足深厚的文化意蕴,渐趋由图像崇拜的信俗表征转向文化寻绎的非遗传承。但文化生态撕裂、信俗空间重构、新俗风尚侵袭、身份转换不足仍为内丘神码挥之不去的现实问题。为此,理应深化文化资源开发、科技赋能业态融合、聚焦符号品牌建设,转变内丘神码单一的身份面向,实现现代化、活态化的传承与发展,最终为我国木版年画的文化再生产提供可循借鉴的范式。
The traditional New Year wood-block prints have gone through the passage of time and history,inheriting the cultural tradition of worshiping gods and praying for good fortune in the era of agricultural civilization and becoming the cultural heritage in the era of industrial civilization.As the living fossil of Chinese New Year wood-block prints,Neiqiu Shenma has shaped the artistic form and cultural function in the historical evolution,and become a compound folk custom image in Neiqiu area of Xingtai.At present,based on the profound cultural implication,Neiqiu Shenma has gradually turned from the representation of faith and custom of image worship to the intangible cultural heritage inheritance of cultural search.But the tearing of cultural ecology,the reconstruction of the space of belief and custom,the invasion of new custom and fashion,and the lack of identity conversion are still the lingering practical problems of Neiqiu Shenma.Therefore,it is supposed to deepen the development of cultural resources and integration of science and technology,focus on symbol brand construction,transform the single identity of the Neiqiu Shenma,realize the modernization and the dynamic inheritance and development,finally providing a model to use for reference for our cultural reproduction of wood-block New Year pictures.
作者
赵帅鹏
ZHAO Shuaipeng(National Research Center for Cultural Industries,Central China Normal University,Wuhan,Hubei 430079,China)
出处
《邢台学院学报》
2023年第3期25-35,共11页
Journal of Xingtai University
基金
中央高校基本科研业务费资助(创新资助项目):民俗主义与文化传承研究:基于影视民俗的文化考察.课题编号:2022CXZZ095.
关键词
木版年画
现代语境
内丘神码
非遗传承
文化生产
wood-block New Year pictures
modern context
Neiqiu Shenma
inheritance of intangible cultural heritage
cultural production
