摘要
对于《天问》"不次序"问题的成因,明清以来"错简说"较为兴盛。《天问》为屈原呵壁之作,其"不次序"文本形态的形成,首先与屈原呵问壁画的顺序有关。文中有关神仙与夏史的内容,原为两幅横贯不同墙体且平行分布的壁画。屈原观看壁画时没有横向进行,而是分单元上下交替观看,交替发问,将连贯的内容作了分割。除此之外,壁画的内容还触发了屈原的联想与思考,这些内容以追问天地与历史的形式表现出来,穿插于文中。在这两种因素的综合作用下,《天问》呈现出"不次序"的文本形态。"不次序"是《天问》的原生性问题,并非错简所致,我们不应对文本进行重新整理。
As for the cause of the"disorder"problem in Tianwen,the"incorrect bamboo slip"expla-nation has been more popular since the Ming and Qing Dynasties.Tianwen is Qu Yuan's work of Hebi,and the formation of its"disordered"text form is related to the order of Qu Yuan's inquiry on the mural.The content of immortals and the history of Xia in the article originally consisted of two murals that ran across different walls and were distributed in parallel.Qu Yuan did not watch the mural in horizontal di-rection.But looked up and down alternately and asked questions alternately in units,dividing the coherent content.In addition,the contents of the mural also trigger Qu Yuan's imagination and thinking,which are expressed in the form of questioning heaven and earth and history,interspersed in the text.Under the combined effect of the two factors,Tianwen presents a"disorder"style."Disorder"is the original problem of Tianwen,not caused by incorrect bamboo slip,we should not rearrange the text.
作者
王东辉
WANG Dong-hui(School of Literature,Liaocheng University,Liaocheng 252059,China)
出处
《聊城大学学报（社会科学版）》
2024年第3期87-94,共8页
Journal of Liaocheng University:Social Science Edition
