摘要
《子归城》是刘岸历经十三载呕心沥血出来的辉煌之作,溢出了一般小说的时空规约,在虚拟与现实、沿海与内陆、古老与当下的双重向度上完成了对“一带一路”故事的宏大构建,将西域百年来的人文与风土变迁以及当下居住地的切身体验一并融入叙事之中。在对故事脉络进行展开的同时,刘岸将诸多极具代表性、地域性的要素加入文本,通过与这些带有亲历性经验的要素进行精神合谋来达到情感上的融通,使有关历史与现实的叙事充满诗性,摆脱了化约式写作刻意堆砌意象的泛化与空心化。有关子归古城往事的追忆与诉说是一次精神返乡书写,以对故乡的浪漫想象去契合曾经失落又重新拾起的个体与群体的互动经历。
The City of Zi Gui,a brilliant work written by Liu An after thirteen years of painstaking efforts,breaks away from traditional novel writing in time and space through the juxtaposition of virtual and reality,of ancient and present,and of coastal and inland regions.As a grand narrative about“the Belt and Road”,it incorporates the changes taken place along the silk road over the past century and the personal experience of people living at present.Besides,Liu An adds many specific and regional elements while unfolding the story.With these elements,emotional resonance was achieved,and poetic narrative about history and reality was eventually free from deliberate abstraction of piling of images.So,the memory and storytelling of the past events of the son returning to the ancient city is a narration about spiritual homecoming in which hometown imagination interacts well with the experience of individuals and groups that was once lost and then regained.
出处
《思想战线》
北大核心
2024年第3期73-82,共10页
Thinking
关键词
《子归城》
时空框架
一带一路
精神返乡
The City of Zi Gui
space-time frame
the Belt and Road
spiritual homecoming
