摘要
追续权制度自产生之日起,就伴随着各种争议。在我国《著作权法》第三次修改过程中,对追续权制度的设立态度几经转变,也体现出理论界和实务界对该权利的需求和顾虑。实际上,在研究追续权制度的正当性基础时,需反思“饥饿的艺术家”神话,还原著作权法公平分配作品利益的使命。在追续权制度构建中,应谨慎对待艺术品价值衡量的特殊性。通过细分艺术品增值利益构成要素,衡量各主体的要素贡献,并以此为据确立艺术品增值利益公平分配的制度理念。在著作权要素分配理论指引下进行规则构建,将追续权明确为一项由艺术家享有的不可转让或放弃的财产性权利。
The droit de suite has been controversial since its inception.In the third revision process of China’s Copyright Law,the attitude toward the establishment of the right has undergone several changes,which also reflects the needs and concerns of the theoretical and practical circles for this right.In fact,when studying the institutional basis of droit de suite,it is necessary to reflect on the myth of“hungry artists”and restore the mission of fair distribution of work benefits under copyright law.Therefore,in the process of constructing the rules of droit de suite,the peculiarity of measuring the value of artworks should be treated with caution.By subdividing the constituent elements of the value-added benefits of art,the contribution of the elements of each subject is measured,and based on this,the fair distribution of the value-added benefits of art is carried out.Finally,guided by the fair value of factor distribution,the droit de suite is interpreted as a non-transferable or abandoned property right enjoyed by the artist.
作者
曾青未
ZENG Qing-wei(School of Law,Shanghai Maritime University,Shanghai 201306,China)
出处
《苏州大学学报（哲学社会科学版）》
北大核心
2024年第2期112-123,共12页
Journal of Soochow University(Philosophy & Social Science Edition)
关键词
追续权
要素分配
增值利益
“饥饿的艺术家”
droit de suite
factor distribution
value-added benefits
“Hungry Artists”
