摘要
《繁花》以怀旧方式书写作者的人生经历和家族记忆,由此带出上海城市形貌、地域文化以及市民的集体记忆。从个人、市民到城市,怀旧的深度在逐步递增,这不仅实现了作者和作品的深度融合,也在一定程度上疗愈了金宇澄的精神创伤,还原了上海的真实面貌,展露出独具特色的沪上文化。作者在《城市地图》《洗牌年代》和《回望》的素材积累基础上,化用说书人的故事讲法和人物速写等形式,实现了对古典文学的回归和超越。由此,小说体现出内容和形式的双重怀旧与创新,开拓了新上海文学和城市书写的领域。
Flowers describes the author’s life experience and family memory in a nostalgic way,which brings out the urban appearance,regional culture and the collective memory of Shanghai citizens.From the individual,the citizen to the city,the depth of nostalgia is gradually increasing,which not only realizes the deep integration of the author and the work,but also heals Jin Yucheng’s mental trauma to a certain extent,restores the true face of Shanghai,and reveals the unique Shanghai culture.On the basis of the accumulation of materials in City Map,Shuffling Age and Looking Back,the author realizes the return and transcendance of classical literature by using storytellers’storytelling methods and character sketches.Thus,the novel embodies the dual nostalgia and innovation of content and form,and opens up the field of new Shanghai literature and urban writing.
作者
邓楠宁
DENG Nanning(School of Liberal Arts,Southwest University,Chongqing 400700,China)
出处
《广西科技师范学院学报》
2023年第6期35-45,共11页
Journal of Guangxi Science & Technology Normal University
关键词
金宇澄
《繁花》
怀旧
城市
上海
Jin Yucheng
Flowers
nostalgia
city
Shanghai
