摘要
20世纪以来的红色戏剧,革命军人形象作为先锋模范的代表以及时代语境中必不可少的重要角色,多以正面形象出现,天然地承担起英雄模范的义务。从不同的时期来看,中央苏区戏剧中的革命军人为新国族形象的建构起到了奠基作用;解放区戏剧从文艺大众化的立场,以革命军人的成长叙事为新国族形象发展指明方向;十七年社会主义建设时期戏剧以无数铁骨铮铮的革命战士歌颂新政权与新社会;到了改革开放新时期,革命军人形象与时俱进,在拨乱反正中逐渐还归了真实的人性,成为社会主义新人的典范。
In the red theatre of the 2oth century,the figure of revolutionary military,as a representative of van-guard,and an essential and important role in the context of the times,predominantly emerged as positive images,naturally assuming the role of heroic models.Across different periods,the revolutionary military in the theatre of the Central Soviet Area laid the foundation for the construction of the new national image;the theatre of the liberated are-as,from the perspective of popularization of literature and art,pointed out the direction for the development of the new national image through the narrative of the growth of revolutionary soldiers;during the seventeen years of social-ist construction,theatre sang praises to the new regime and society with the depiction of numerous indomitable revo-lutionary warriors;in the new era of reform and opening up,the figure of revolutionary military kept up with the times,gradually returning to authentic human nature in the process of rectifying past errors,and becoming a model for socialistnewcomers.
作者
贾冀川
孔稳
Jia Jichuan;Kong Wen
出处
《戏剧与影视评论》
2023年第5期42-50,共9页
Stage and Screen Reviews
基金
国家社科基金一般项目“二十世纪中国红色戏剧文学研究”(项目编号:17BZW149)的阶段性成果。
关键词
新国族形象
红色戏剧
革命军人
new national image
Chinese red theatre
revolutionary military image
