摘要
20世纪五六十年代,学界对人与自然关系的研究主要围绕人类中心主义和自然中心主义的论争展开。在错综复杂的话语交锋中,人与自然的关系并没有走向预定的和谐。在此情境下,卡尔维诺以《分成两半的子爵》给出自身对这一问题的回答:物性和人性是相通的,二者相互塑造又相互转化。通过植物想象,卡尔维诺描述了薄荷、迷迭香是如何“驯化”人类的认知,并参与到麻风病人淫乱形象的塑造过程;葡萄、橄榄是如何被人类“培育”,进而成为西方传统中具有道德属性的植物。在上述4种植物与人类想象互动的过程中,卡尔维诺看到现代人只有通过想象突破对自然的固有观念,人类与自然才能连接成为崭新的共同体。
In the 1950s and 1960s,academic research on the relationship between human and nature mainly revolved around the debate between anthropocentrism and naturalism.In the complex discourse conflict,the relationship between human and nature did not move towards the predetermined harmony.In this context,Calvino gave his own answer to this question in The Cloven Viscount.Physical property and human nature are interconnected,and the two can shape and transform into each other.Through the botanical imagination,Calvino described how mint and rosemary domesticated human cognition and participated in the process of shaping the promiscuous image of leprosy patients,and how grapes and olives were cultivated by humans and became plants with moral attributes in Western tradition.In the process of interaction between the four plants mentioned above and the human imagination,Calvino find that only through the imagination of modern man to break through the inherent conception of nature,human beings and nature can be connected into a brand new community.
作者
任婕
REN Jie(School of Liberal Arts,Lanzhou University,Lanzhou,Gansu 730000,China)
出处
《开封文化艺术职业学院学报》
2024年第1期56-61,共6页
Journal of Kaifeng Vocational College of Culture & Art
关键词
《分成两半的子爵》
植物想象
生态思想
The Cloven Viscount
botanical imagination
ecological ideology
