摘要
无人机表演是继巴西媒介理论家威廉·弗卢塞尔(Vilem flusser)所言的摄影之后的一种数字编程时代媒介装置艺术,其出现意味着装置的潜能突破了虚拟与现实的边界。在技术层面,无人机表演由数字代码操作着无人机编队在现实天空之中进行技术图像的编码,从而创造出无限生成的动态化图像景观。在实践层面,无人机表演将所在城市空间化作用以表意的媒介界面,吸引观看者身体经验与注意力都深入地卷入其媒介内容之中。在文化层面,无人机表演则成为重建公共空间的手段,以公共性的文化图腾再造了大屏幕式集体观看,进而促发了城市居民具身性的社会联结与城市生活的审美体验。
Drone performance is a kind of media installation art in the digital programming era after what Fluessel called photography.Its emergence means that the potential of the installation breaks through the boundary between virtual and reality.At the technical level,the UAV performance is operated by the digital code of the UAV formation in the real sky,so as to create an infinitely generated dynamic image landscape.At the practical level,the UAV performance uses the space of the city to express the media interface,attracting the physical experience and attention of the viewer to be deeply involved in the media content.At the cultural level,UAV performance has become a means to rebuild the public space,recreating the big-screen collective viewing with the cultural totem of public nature,and thus promoting the physical social connection of urban residents and the aesthetic experience of urban life.
作者
孔正毅
胡建强
KONG Zheng-yi;HU Jian-qiang
出处
《未来传播》
2024年第1期21-30,124,125,共12页
Future Communication
