摘要
鲁迅《祝福》有三层叙述结构,由外到内,从外显到内核,表现了具有普遍性意义的“人”的悲剧,分别是:祥林嫂的命运、鲁镇人的态度、叙述者“我”的消融。其中,鲁镇是中国旧社会的文化缩影;祥林嫂是想努力活成“人”样的、一般性意义的“人”;“我”是毫无觉察地消融于“吃人”环境里的“人”。祥林嫂与“我”构成了对比反衬关系,深刻揭示了“人”的悲剧这一中心主题。
Lu Xun's New Year’s Sacrifice has three layers of narrative structure,from the outside to the inside,from the explicit to the core,showing the tragedy of“human”with universal significance,respectively:the fate of Xiang Linsao,the attitude of Luzhen people,and the ablation of the narrator“I”.Among them,Luzhen is the cultural epitome of the old Chinese society;Xiang Linsao is trying to live as“human”,general“human”;“I”is imperceptible in the“eating human”environment.Xiang Linsao and“I”constitute a contrast relationship,deeply revealing the central theme of the tragedy of“human”.
作者
李文优
LI Wenyou(School of Humanities,Honghe University,Mengzi Yunnan 661199,China)
出处
《文山学院学报》
2024年第1期82-87,共6页
Journal of Wenshan University
关键词
《祝福》
叙述结构
“吃人”
New Year’s Sacrifice
narrative structure
eating Human
