摘要
丁玲的小说《莎菲女士的日记》(1928)发表近百年来以“叛逆的绝叫”而独立文坛。如此尖锐的声音是如何通过语句而得以实现的?其中的诗学特质特别让人着迷。小说的白话是一种“野生”的白话,源于日记体现代女性絮叨的语言形式,口语化以及声音的突出是其重要特征。小说的叙事采用了后撤性焦点叙事方式,这种后撤性叙事的形成是基于莎菲的认知方式。剖白的辩证法拉紧了后撤性焦点叙事的强度,从而把女性的声音一步步推向绝叫。从晚清至20世纪20年代,随着出版业的发达和文化思潮的兴起,女性得以在现代公共空间发声。莎菲的声音、孙舞阳的声音与许广平、庐隐等人的表达一起构成了时代女性的尖音。
Ding Ling's novel Ms.Sophie's Diary has a special place in the literary world as a rebellious scream over the past century.How is such a sharp voice achieved through words? The poetic quality of it is particularly fascinating.The vernacular of the novel is a “wild vernacular”,derived from the language form of modern women's babble in diaries.Colloquialism and the prominence of the voice are its important features.This novel adopts a backward focus narrative method.The formation of this backward narrative with feelings as the focus of the narrative is based on Sophie's cognition.Sentences such as “I know” and “I also know” in her novel are the externalization of this cognition,which displays Sophie's self-awareness and the construction of her subjective personality.This is the basis of consciousness for Sophie's “rebellious scream”.The dialectic of confession tightens the intensity of the backward focus narrative,thereby pushing the female voice step by step toward the ultimate scream.From the late Qing Dynasty to the 1920s,with the development of the publishing industry and the rise of cultural trends,women were able to speak out in modern public spaces.Sophie's voice,Sun Wuyang's voice,and the expressions of Xu Guangping,Lu Yin and others constitute the female sharp voice of the times.
出处
《社会科学》
北大核心
2024年第1期81-89,共9页
Journal of Social Sciences
基金
国家社会科学基金重大项目“文学视野中中国近现代时期汉语发展的资料整理与研究”(项目编号:16ZDA185)的阶段性成果。
关键词
野生的白话
后撤性叙事
剖白辩证法
时代尖音
Wild Vernacular
Backward Focus Narrative
Dialectic of Confession
Sharp Voice of the Times
