摘要
民俗艺术是民众在长期的生产生活中创造的文化物象,是民众现实生产生活的重要部分。研究民俗艺术必须要关注其所处的外在环境,必须要用发展的眼光观察民俗艺术及其参与且与之密切相关的文化生态,必须关注艺术形式本体及其所发生关系的民众的生产日常生活,必须关注创造并传承民俗艺术的民间艺人。要通过个案研究进而关注该类艺术形式自身嬗变的文化逻辑及现实影响力的实现,特别是在当下社会文化意义重塑过程中的生存智慧与发展脉络。
Folk art represents cultural artifacts created by people through their prolonged engagement in productive and daily life,forming a significant aspect of their living reality.The study of folk art necessitates a focus on its external environment,requiring a developmental perspective to observe both the art form and its closely intertwined cultural ecology.It s essential to pay attention to the art form s ontology,the daily productive life of the communities involved,and the folk artists who create and perpetuate these traditions.Case studies should be employed to explore the inherent cultural logic and real-world impact of such art forms,particularly their wisdom and developmental trajectories in the context of contemporary societal and cultural redefinition.
作者
张兆林
董琦
ZHANG Zhao-lin;DONG Qi(School of Fine Arts and Design,Liaocheng University,Liaocheng 252059,China)
出处
《聊城大学学报（社会科学版）》
2024年第1期37-43,共7页
Journal of Liaocheng University:Social Science Edition
基金
教育部人文社会科学研究一般项目(23YJA760119):黄河流域木版年画保护传承研究。
