摘要
革命叙事中的性别特质是刻意建构的。以黑龙江省牡丹江市“八女投江”事迹作为具体案例,提出了性别的记忆(gendered memory)分析框架,分析“讲述者”“记录者”“演绎者”这三种不同类型的记忆生产主体在记忆塑造过程中的反复叙述和多元重构,梳理了这一历史事件如何从一则日记中简短的原始记录生产成为现行通用的革命英雄版本。嫁接、渲染、再考证、性别对焦是性别的记忆塑造当中的四种机制,前三种机制提供积淀过程,第四种机制将性别视角引入。在此基础上揭示出性别意识与被建构的女性革命精神、女性身份与英烈形象之间相互制约、相互影响的复杂关系,进而在社会记忆层面塑造出“中华的女儿”“英雄的姐妹”等革命英雄典型。
The gender quality in revolutionary narrative is deliberately constructed.A typical case is"Eight Women Throw Themselves into the River",which depicted the true story of eight female soldiers who gave the ultimate sacrifice while fending off Japanese troops,one by one perishing in the watershed in 1938.How were the memory and narrative of this revolutionary story shaped?Based on an extensive examination of primary sources and unpublished internal documents,this article argues that gendered memory was shaped through repeated narratives and multiple reconstructions of historical events by three types of memory producers via various means of images,texts,and oral histories.
作者
祝宇清
严飞
Zhu Yuqing;Yan Fei
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2024年第1期80-96,238,共18页
Journal of Tsinghua University(Philosophy and Social Sciences)
