摘要
本文从德勒兹的情动理论与生命哲学出发,将“小作文”视为一个透视粉丝生命体验的透镜,通过考察粉丝在日常生活中所书写的小作文文本及其书写实践,照见粉丝在研究视角不可见处的情感流变和情动记忆,并在此基础上尝试提出一个理解粉丝主体性的另类视角。研究发现,小作文不仅是粉丝在能动的书写中修补自我的情感载体,亦作为“树洞”使得主体在书写情感的过程中获得生成自我的力量。粉丝个体不仅在小作文所记叙的“观看情动”中通过对偶像身体的欲望观看满足着自身作为“人”的原始爱欲能量,亦在小作文生成前的书写间隔区间中通过在“粉丝身份”与“社会身份”之间的顺滑切换显现出自身作为“人”的生命冲动。本研究将粉丝主体性定位在粉丝身份与其他身份的交界处,定位在多重身份的消解、重叠、冲突与切换的张力之中,从中我们得见一个多元的、流动的、真实的“人”。
Starting from Deleuze's theory of affect and philosophy of life,this paper considers"short essays"as a lens to examine fans'life experiences.By analyzing the short essays written by fans in their daily lives and their writing practices,it unveils the emotional fluctuations and affective memories of fans that are invisible from a research perspective.Based on this exploration,the paper attempts to propose an alternative perspective for understanding fan subjectivity.The study reveals that short essays serve not only as a dynamic means for fans to repair their emotional selves through active writing but also act as a"tree hole,"empowering the subject to generate self-strength in the process of writing emotions.Fans,as individuals,not only satisfy their primal desires as"human"in the"viewing affect"narrated in short essays by indulging in the desire to gaze at the idol's body but also exhibit life impulses as"human"in the writing intervals before the creation of short essays,smoothly switching between"fan identity"and"social identity."By depicting fans as fluid,diverse,and authentic"humans,"this study situates fan subjectivity at the intersection of fan identity and other identities.It places fan subjectivity amidst the tension of dissolving,overlapping,conflicting,and switching multiple identities,presenting a diverse,fluid,and authentic portrayal of"human."
作者
李晓云
王锋
Li Xiaoyun;Wang Feng
出处
《传媒观察》
CSSCI
2024年第1期96-106,共11页
Media Observer
基金
国家社科基金项目“县级融媒体赋能乡村治理共同体建设的机制与路径研究”(23BXW028)的阶段性成果。
关键词
情动
主体性
粉丝文化
affect
subjectivity
fan culture
