摘要
在中华优秀传统文化创造性转化日益受到重视的时代背景下,为了梳理国内农民画研究现状,文章以2011—2021年中国知网收录的“农民画”期刊文献1482篇文献为研究对象,借助可视化工具Citespace对采集的数据进行共现分析、聚类分析,绘制出二十年来国内农民画研究的作者合作图谱、机构合作图谱、关键词共现图谱、时区图谱和时间线图谱等,分析得出国内农民画研究的合作情况、研究主题、发展阶段和未来趋势,进一步将国内农民画研究归纳为基础理论与基本概念、农民画发展、传承与保护、区域性农民画研究、农民画艺术特色研究、农民画与乡村振兴等六大类和萌芽式发展期(2000年之前)、内涵式发展时期(2001—2011)、外延式发展时期(2012—2021)等三个主要发展阶段,达到了以图识“画”的目的,为农民画研究做出有益探索。
In an era when the creative transformation of China's excellent traditional culture is increasingly valued,in order to grasp the current situation of domestic farmers’painting research,this paper takes the 1482 documents of the"farmers painting"journal literature which included in CNKI from 2011 to 2021 as the research object,uses the visualization tool Citespace to conduct co-occurrence analysis and cluster analysis of the collected data,and draws the author cooperation map,institutional cooperation map,keyword cooccurrence map,timezone map and timeline map of domestic farmer painting research in the past 20 years.The cooperation,research theme,development stage and future trend of domestic farmers'painting research are analyzed,and the research on domestic farmers'painting is further summarized into six major categories,including the basic theory and basic concepts,the development of peasant painting,inheritance and protection,regional peasant painting research,farmers'painting art characteristics research,peasant painting and rural revitalization,and the three main development stages,such as the embryonic development period(before 2000),the connotative development period(2001-2011),and the epitaxial development period(2012-2021).It has achieved the purpose of"painting"with graphic knowledge,and has made useful explorations for the study of farmers'painting.
作者
李金永
LI Jinyong(Library,Huizhou University,Huizhou 516007,Guangdong,China)
出处
《惠州学院学报》
2023年第5期25-35,共11页
Journal of Huizhou University
基金
广东省哲学社会科学规划项目(GD16YTS01)。
