摘要
本文从文学传播学的视角,考察世纪之交的散文文体风尚。文学期刊与文学作品是唇齿相依的关系。世纪之交,纯文学期刊以改版为契机,对散文文体进行重新定位,以“杂”的特色活泼刊物面貌,获得了更广阔的生存空间。散文文体则在文学期刊编辑的推动下,一方面拓展文体范畴,从文学走向文化;另一方面兴起了“新散文”思潮,新散文写作秉承先锋精神,探索散文写作的可能性,使散文文体由外到内完成了文体革新。
This article examines the prose stylistic fashion at the turn of the century from the perspective of literary communication.Literary journals and literary works are interdependent.At the turn of the century,prose style was re-positioned with the revision of pure literary journals,gaining a broader living space with lively“miscellaneous”features.Promoted by the editors of literary journals,prose style expands its style scope from literature to culture on one hand,and a trend of“new prose”arose on the other hand.The new prose writers adhered to the pioneering spirit,explored new ways in prose writing,and completed the stylistic innovation of the prose style from the outside to the inside.
出处
《文学与文化》
CSSCI
2023年第3期29-35,共7页
Literature and Culture Studies
基金
国家社科基金重大项目“中国当代文学期刊发展史”(项目号:18ZDA266)阶段性成果。
关键词
散文
文体革新
期刊改版
文学传播
Prose
Stylistic Innovation
Periodical Revision
Literary Dissemination
