摘要
《在延安文艺座谈会上的讲话》(以下简称《讲话》)语域下的革命现实主义在辩证法的意义上达到了“总体性”的统一,具体体现在生成机制及“典型化”“成长模式”等叙事话语中。《讲话》逻辑下的“应然”预设与书写实践中的“实然”分途,彰显了革命现实主义书写中不可简约的主体中介性,以及由此衍生的“多质性”文学图景,既直观呈现出因对《讲话》的不同理解而生成的“区分的辩证法”,又生动呈现了革命性、现代性、传统性杂糅、错综而形塑的“别样的中国想象”。这既一定程度上修正了当代文学的“一体化”论述,也充分展现出其内蕴的民族文化根性。
The revolutionary realism in the discourse of Chairman Mao Zedong's“Talks at the Yan'an Forum on Literature and Art”achieves an“overall”unity in the dialectical sense,which is specifically reflected in generative mechanisms and narrative discourses such as“typification”and“growth patterns”.The divergence between the presupposition of“ought to be”under the logic of Mao's“Talks”and the“actuality”in writing practice highlights the indispensable subjectivity mediation in revolutionary realism writing,as well as the derived literary landscape of“multifariousness”,vividly presenting both a“differentiated dialectics”generated from different interpretations of Mao's“Talks”and“an alternative Chinese imagination”shaped by intertwining revolution,modernity,and tradition.This not only partially corrects the discourse on contemporary literature's homogeneity but also fully demonstrates its inherent national cultural essence.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2023年第5期121-128,共8页
Journal of Social Science of Hunan Normal University
基金
国家社会科学基金重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)。
