摘要
苏轼岐梁唱和诗之所以佳作秀句频出,离不开苏辙岐梁唱和诗的铺垫。前人批评苏轼岐梁唱和诗篇有“起笔突兀”“渺不相属”和“芜词累句”三种弊病,实则根植于苏轼与苏辙唱和的特定情境之中,乃唱和诗兼作尺牍的结果。苏轼岐梁唱和诗题中出现的具日志地及详载本事现象,若证以更为原始的帖本,并校以苏辙对应的唱和之作,可知苏轼此类岐梁唱和诗乃撮合诗前诗后文字重新拟题的结果,因而较多保留了原稿痕迹。挖掘苏轼岐梁唱和诗背后的特定情境,追溯诗作的帖本形态,有裨益于追溯苏轼“随物赋形”等文学理论的起源和发展。
The frequent occurrence of beautiful lines in Sushi’s Qi-liang Echoing Poems is inseparable from the foundation of Su Zhe’s Qi-liang Echoing poems.Previous criticisms of Sushi’s Qi-liang Echoing Poems critical,such as evaluations of“abrupt brushstrokes”,“indistinguishable from each other”,and“repetitive sentences”,which were actually rooted in the specific context of the echoing,and were the result of the combination of echoing poems and letters.The phenomenon of recorded and detailed content in Sushi’s Qi-liang Echoing Poems can be traced back to a more primitive version and proofread with Suzhe’s corresponding echoing works.It can be seen that Sushi’s Qi-liang Echoing Poems is the combination of the previous poems and afterwards poems,thus retaining more traces of the original manuscript.Therefore,exploring the specific context behind Sushi’s Qi-liang Echoing Poems,and tracing the textual form of his poetry,is beneficial for tracing the origin and development of Su Shi’s literary theories such as“shaping with things”.
出处
《中南民族大学学报（人文社会科学版）》
北大核心
2023年第9期157-164,187,188,共10页
Journal of South-Central Minzu University (Humanities and Social Sciences)
基金
中央高校基本科研业务费专项资金资助项目“《淳化阁帖》谱系研究”(CSQ20015)。
关键词
岐梁唱和诗
苏轼
情境
帖本
“随物赋形”
Qi-liang Echoing Poems
Su Shi
context
tie ben
“shaping with things”
