摘要
艺圃相关文本与图像的史论研究大多关注文学修辞与复原,而少考证与分析。利用明末清初姜氏园居期间所留存的文献,作图像志与图像学分析与互文性解读。指出《艺圃图》的受画人应并非姜埰而是其仲子姜实节,图中所呈之景也是两代人营园所成。父子两人处境及想法的差异,也显现在这一时期的园林布局中。
Most historical and theoretical studies of texts and images related to Yipu Garden revolve around literary rhetoric and restoration,but little textology and analysis.Investigating documents surviving from the late Ming and early Qing dynasties during Jiang family's,iconographic and iconological analysis,and intertextual interpretation will be presented.The study claims that the recipient of the painting Yipu Drawing was not Jiang Cai but his second son,Jiang Shijie,the scene of Yipu Garden shown in the painting is the result of gardening by the father and son of the two generations.The differences between the father's and son's situations and ideas also emerge in the layout of the garden of this period.
作者
杨森
刘庭风
Yang Sen;Liu Tingfeng
出处
《古建园林技术》
2023年第5期89-93,共5页
Traditional Chinese Architecture and Gardens
关键词
中国园林
园林史
姜埰
姜实节
造园
明遗民
Chinese Garden
History of Gardens
Jiang Cai
Jiang Shijie
Gardening
Ming Loyalists
