摘要
鹏鸟形象在云南较为多见,诸如纳西族、白族、哈尼族、傣族等民族文化中皆有与其相关的神话描述和形象传承。各民族的鹏鸟形象在吸收古印度“迦楼罗”元素的基础上,经历了不断地在地性重构并流传至今,形成丰富的视觉形态与文化内涵,不仅如此,还与中原文化中的鹏鸟形象有着极大的相似度与诸多紧密的联系。作为跨越地域共享的艺术形象与文化符号,鹏鸟形象直观反映出了族际文化的差异与共识,从中可以看出云南乃至全中国多民族互动共生、和谐一体的文化融通性,成为铸牢中华民族共同体意识的文化基因。
The image of roc is commonly seen in Yunnan ethnic Culture,including Naxi,Bai,Hani,Dai,etc.They all have myths and descriptions about rocs.Based on the elements of the ancient Hindu deity Garuda,the image of the roc has experienced constant local reconstruction and is well-preserved till today with rich visual forms and cultural.Besides,roc’s image in Yunnan is similar and closely related to the one in Central China Plain Culture.As an artistic image and culture symbol shared across regions,the image of roc clearly reflects the inter-ethnic cultural difference and consensus,through which we could explore an integration of mutual thriving and harmony that exists in multiple Chinese ethnic groups.Such integration is the cultural gene that consolidate Chinese people.
作者
罗沛
Luo Pei(Yunnan Arts University,Kunming 650000)
出处
《西部学刊》
2023年第18期11-14,共4页
Journal of Western
关键词
族际文化
鹏鸟
中华民族共同体意识
inter-ethnic culture
roc
a sense of community for the Chinese nation
