摘要
好莱坞剧情片《最后的决斗》根据真实历史故事改编,电影围绕着玛格丽特被强奸的案件展开,运用罗生门的叙事手法,以尚、贾克和玛格丽特各自的视角对案件进行陈述。本片号称中古世纪的“#MeToo”运动,是一部女性主义电影,为女性发声。女性的“物化”一直是女性主义的核心问题,而物化本身不易被察觉。在《最后的决斗》中,玛格丽特的被物化主要体现在三个方面:被商品化、被剥夺主权、被噤声。
The Last Duel is a Hollywood feature film adapted from a true historical story.Focusing on the rape case of Marguerite,the film adopts the technique of Rashomon narrative to present the case from the perspectives of Jean,Jacques,and Marguerite.Known as the“#MeToo”Movement of the Middle Ages,it is a feminist film that speaks for women.The“objectification”of women has always been a key issue of feminism,and yet the objectification itself is not easily perceived.Marguerite’s objectification in The Last Duel is mainly reflected in three aspects:being commercialized,being deprived of individual autonomy,and being silenced.
作者
刘婷婷
LIU Tingting(School of English Studies,Sichuan International Studies University,Chongqing 400031,China)
出处
《贵州大学学报（艺术版）》
2023年第5期52-57,共6页
Journal of Guizhou University Art Edition
基金
四川外国语大学2017年度科研项目青年项目“女性先锋电影要素分析”(项目编号:sisu201772)。
