摘要
鲁迅在其著名短篇小说《故乡》中,描绘了“我”真实的现时的故乡与记忆中的过去的故乡,二者形成了鲜明的对比。故乡面目全非的景物与人物使知识者的“返乡”成为不可为,反映了五四时期先进知识分子与蒙昧群众之间的巨大裂缝,展现了城市现代化进程中离乡游子无处安放的精神世界所面临的巨大危机。但在小说的结尾,鲁迅依然表达了对未来的希望,正契合了他创作小说的启蒙主义立场和改良社会的理想。《故乡》关切的不只是二十世纪二十年代的农村问题,也因此无法简单地被归入乡土小说的范畴,而是对于当时的中国具有更为重要的普遍意义。
In his famous short story My Native Place,Lu Xun depicts the rural hometown of“I”,both at present in reality and in the memory of the past,between which a tremendous crack exists.As the scene and the people all look wrong and distorted beyond recognition,“I”as an educated intellectual is unable to return to a rural native place the same as“I”remember it.This exposes the huge difference between the advanced intellectuals and the obscure people during the May 4th period,and reveals the severe spiritual crisis of the“homeless”during the process of modernization.However,at the end of the story,the writer still expressed a hopeful outlook on the future,which is in line with his writing standpoint of enlightening the public and improving society.My Native Place embodies concerns far beyond rural issues in the 1920s,and thus it cannot be simply categorized as a piece of local novel;it possesses more important universal significance for China at that time.
作者
周寻
ZHOU Xun(Beijing Institute of Graphic Communication,Beijing 102600,China)
出处
《北京印刷学院学报》
2023年第7期65-69,共5页
Journal of Beijing Institute of Graphic Communication
关键词
《故乡》
鲁迅
乡村
My Native Place
Lu Xun
rural area
