摘要
歌曲《葬花吟》从最早的电视剧《红楼梦》插曲经过钢琴伴奏的编配,已经成为中国经典古诗词艺术歌曲的代表。《葬花吟》歌词文学内涵,反映了该音乐作品中作曲者和钢琴伴奏编配者的音乐创作构思。通过文学分析、曲式分析和旋律分析等方法,可以探究出该音乐作品的古法音乐调式,音乐材料与乐段的协调,及古调式复杂化的构思创作。《葬花吟》的真实性创作与表演有机结合,实现历史文学与现代表演的统一。
The song,The Burial of Flowers,has become the representative of classical Chinese ancient poetry art songs,and is composed by piano accompaniment arrangement from the earliest TV drama Dream of Red Mansions.The literary connotation of the lyrics in The Burial of Flowers,can refl ect the music composition idea regarding composers and piano accompaniment arrangers in the music works.The teaching methods of literature analysis,musial form analysis and melody analysis can be used to explore the ancient musical mode,the coordination between music materials and music paragraph in the music works.The organic combination between the authentic creation and performance in The Burial of Flowers can realize the unifi cation of historical literature and modern performance.
作者
李暮凡
陈晓
Li Mufan;Chen Xiao(Xinjiang Agricultural University,Urumqi 830052,China;Hefei Normal University,Hefei 230601,China)
出处
《黑河学院学报》
2023年第5期173-175,188,共4页
Journal of Heihe University
基金
2020年度安徽高校人文社会科学研究项目重点项目“基于文学内涵视域下中国诗词艺术歌曲探究”(SK2020A0491)。
关键词
《葬花吟》
诗词艺术歌曲
文学内涵
真实性
The Burial of Flowers
poetry and art songs
literary connotation
authenticity