摘要
2022年,尽管遭遇疫情困境,广大戏剧工作者依旧不断践行“人民立场”、守正创新,在戏剧产业和戏剧创作双重维度收获许多成绩。在产业层面,2022年基于云端平台的“双演”模式、沉浸式演出、数字藏品等新技术在戏剧行业扩大应用,中国戏剧产业展现出了前所未有的创新能力。在创作层面,创作了一系列反映城市乡村新面貌、歌颂扎根在祖国各地平凡英雄的新作品;从戏剧、文学作品中不断汲取灵感,对《雷雨》《茶馆》《白鹿原》等经典作品进行全新演绎;2022年,恰逢党的二十大召开,全国掀起了戏剧献礼高潮,上演了一批反映时代风貌和地域特色的戏剧作品,丰富了全国戏剧舞台。
Although encountered with the pandemic in 2022,many drama practitioners still engaged with the ideas of“people standpoint”,and cultural inheritance and innovation,so that many good results have been achieved in the dimensions of drama creation and drama industry.In regard to drama industry,there are several new things:the“dual performance”mode based on the cloud platform,immersion performance,and NFT.Thus,the Chinese drama industry witnesses innovation ability that has not been seen before.In regard to the creation of drama,a series of works have been created to reflect new images of cities and villages,as well as many ordinary heroes across China.In addition,inspiration was drawn from classical works of drama and literatures such as Thunderstorm,Tea House,and White Deer Plain so as to represent innovative works.The 20th National Congress of the Communist Party of China was held in 2022 when the whole country was active to pay tribute,as a result,a group of theatrical works were staged which are characterized with features of times and regions.
作者
任晟姝
徐凤仪
Ren Shengshu;Xu Fengyi(the School of Artand Media,Beijing Normal University;the Research Centre of Art Education,Beijing Normal University,Beijing,100080)
出处
《民族艺术研究》
2023年第2期68-75,共8页
Ethnic Art Studies
基金
国家社会科学基金“十四五”规划2022年度教育学一般课题“国家文化安全观视域下中小学影视教育的模式创新与实践研究”(项目批准号:BLA220236)的阶段性研究成果。
