摘要
为探寻民族元素在现代产品设计中的转译方法,助推少数民族地域文化的传播,文章以黔西北白苗女子服饰纹样为样本,在分析服饰纹样图式、色彩、题材的基础上,结合现代审美需求,尝试直接运用法和解构重组法对其进行转化设计。结果表明,黔西北白苗女子服饰纹样多以几何状、连续形构成,富有节奏与韵律之美,色彩遵循调和均衡的视觉审美法则,纹样十分符合当下简洁的审美需求,在现代产品设计中具有优势;现代设计思维的融入,也有助于少数民族地域文化的挖掘和创新,为少数民族文化的传播增添活力的同时,给现代产品的设计和开发带来灵感和参考。
In order to explore the translation methods of ethnic elements in modern product design and help the spread of ethnic regional culture.The article is based on the analysis of the patterns,colors and themes of clothing patterns,and combining with the modern aesthetic needs,and attempts to transform the patterns of clothing patterns of Bai Miao women in the northwest of Guizhou Province by using the methods of direct usage and Deconstruction and reorganization.The results show that the patterns of white Miao women's clothing in Northwest Guizhou are mostly composed of geometric shapes and continuous shapes,which are full of rhythm and rhythm.The colors follow the visual aesthetic law of harmony and balance.The patterns are very in line with the current concise aesthetic needs and have advantages in modern product design;The integration of modern design thinking is also conducive to the excavation and innovation of minority regional culture,adding vitality to the spread of minority culture and bringing inspiration and reference to the design and development of modern products.
作者
王蔓
李奇菊
邓云
WANG Man;LI Qi-ju;DENG Yun(College of Sericulture Textile and Biomass Science,Southwest University,Chong Qing 400715,China)
出处
《武汉纺织大学学报》
2023年第2期14-19,共6页
Journal of Wuhan Textile University
关键词
白苗
服饰
纹样
转化设计
Baimiao ethnic minority
costume
pattern
transformation design
