摘要
朱石麟先生在抗战期间及抗战后分别两次改编两部外国小说,或编或导了《孤城烈女》《洞房花烛夜》和《花姑娘》《新婚第一夜》四部影片,表现了战争中的四个平民女子的命运,构成了与抗战中期银幕上流行的“女英雄”不同的女性角色。而分别于全面抗战前、“孤岛”沦陷前后和南下中国香港后创作的这四部影片,流露出朱石麟对战争中无辜平民的同情、对牺牲的矛盾,也体现了抗战后朱石麟等一代电影人回溯战时记忆、剖白附逆经历的一种心路历程。
During and after the Anti-Japanese War,Mr.Zhu Shilin adapted two foreign novels twice,edited or directed four films:The Lonely City Martyr,The Wedding Night,Flower Girl,and The First Night of the Wedding.The fate of the four civilian women in the war constituted a different female role from the popular"heroines"on the screen in the middle of the War of Resistance.These four films were created before the full-scale Anti-Japanese War,before and after the fall of the"Isolated Island",and after going south to Hong Kong,revealed Zhu Shilin's sympathy for innocent civilians in the war and the contradiction regarding sacrifice.They also reflected the psychological process of a generation of filmmakers such as Zhu Shilin after the anti Japanese war in recalling their wartime memories and dissecting their rebellious experiences.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2023年第1期132-136,I0005,共6页
Journal of Nanjing Arts Institute:Music & Performance
基金
国家社会科学基金艺术学项目“中国电影产业史(1905—1949)”(项目编号:21BC049)阶段性研究成果
国家社会科学基金重大项目“中国现代电影文学资料发掘、整理与资源库建设”(项目编号:18ZDA262)阶段性研究成果
南京艺术学院研究生精品课程“民国电影专题课程”中期成果。
关键词
朱石麟
附逆影人
抗战时期电影
中国香港电影
Zhu Shilin
a rebellious filmmaker
films during the Anti Japanese War
Hong Kong film
