摘要
香港永华影片公司摄于1948年的《清宫秘史》是中国电影史上的一部重要作品。其原因不仅在于其艺术创作美学观念代表了中国电影的文人传统,更为有趣的是,这部影片的政治命运也从一个侧面说明了20世纪40到60年代的上海和香港两地电影传统的内在联系,及其最终的分流。因此,文章将会以《清宫秘史》为案例,在对它进行历史性的梳理过程中,以期理解《清宫秘史》的主创者们作为那个时代的电影都市文人/精英们是如何借家国/伦理叙事的书写,映射出从上海南下香港的知识分子对海派电影的传承。也正是香港与上海电影在互动与交流中使得当时香港电影成为"国族电影"中的一脉。
Picture ' Secrets of The Qing Court' (Qing Gong Mi Shi) was made in Hong Kong Yonghua in 1948,and it is very important movie in the Chinese film history. The reason to research it is not only for its artistic level which represents the literati tradition of Chinese cinema,but also for its film's political fate which is connected to the interaction and division between Shanghai film history and Hong Kong film histroy. Therefore,historically inspecting of this movie is a key to understand how the Shanghai film intellectuals were deviated from the mainstream ideology in the 'New China'. And from this perspection,we can map out the traditional Chinese'home - country'consensus of these intellectuals who had moved from Shanghai to Hongkong at that times,so that we also understand the cultural essence of this picture more deeply.
出处
《浙江传媒学院学报》
2013年第4期50-57,129,共8页
Journal of Zhejiang University of Media & Communications
