摘要
在审美活动中,植物作为一种审美对象将外在的自然环境与人的内在精神世界联系起来,呈现出多元的植物面相。中国古代植物审美姿彩纷呈,意蕴丰富,但其中仍有规律可循。根据植物与社会群体、个体情感和形上世界的不同连接,大体可分为三种类型:其一,建构社会认同感的植物风景,此类植物审美与国家民族的政教性及社会阶层的身份认同感相关,具有鲜明的意识形态性;其二,彰显个体情感的植物风景,此类植物审美侧重于对个体情志的表现,具有鲜明的个性和艺术性;其三,通向超越之境的植物风景,此类植物审美体现了形上追求和终极精神,具有超越性和哲理性。植物审美的多重面相体现了物与人的共生互成,是人与自然、人与社会和人与自我关系的体现,对植物审美的思考有助于当代社会重建人与自然及人与精神的深层连接。
Plants in aesthetic activities link the external living environment with people s inner spiritual world.The aesthetics of ancient Chinese plants are colorful and rich in meaning,but there are still rules to observe.According to the different connections to social community,individual sentiments and the metaphysical world,plant aesthetics can be roughly divided into three types.The first is to construct a plant landscape of social identity,which reflects the distinct aesthetic ideology.The second is the landscape that embodies individual sentiments.The aesthetics of this kind of plants focuses on the expression of individual emotions,with distinct personality and artistry.The third is the plant landscape of transcendence.This kind of plant aesthetics embodies metaphysical pursuit and ultimate spirit,which is transcendent and philosophical.The multi-facets of plant aesthetics show the coexistence and mutual support of other beings and mankind,which is the embodiment of the relations between man and nature,man and society,and man and himself.The reflection upon plant aesthetics is conducive to the reconstruction of the deep connection between man and nature and that between man and his spiritual world in the contemporary society.
作者
丁利荣
Ding Lirong(School of Chinese Language and Literature,Hubei University,Wuhan 430062)
出处
《华中师范大学学报（人文社会科学版）》
北大核心
2023年第2期146-153,共8页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金一般项目“宋代植物美学思想研究”(19BZX131)。
关键词
植物审美
多元风景
身份认同
情感彰显
形上风景
plant aesthetics
pluralistic landscapes
social identity
emotional embodiment
metaphysical landscapes
