摘要
在当代西方文艺理论全面汇入的全球化浪潮中,愈来愈多画家转而投向对技术制作与视觉效果的追求,伴随着的是当代中国画人文精神的丧失。王来文从传统文脉入手,结合时代精神,在技法、学理上完善了福建白描的学术体系,提出了白描复兴的学术理想。他以复古的精神锤炼出新时代的审美创造,在笔线的理性抽象重构中表现对时代与生命的叩问,在不动声色中坚持发掘传统笔墨的深度与活力,融入生命的真味,以笔墨实践着中国白描艺术的远望,以线条丰满着福建白描文脉的指归。
Against the backdrop of the globalization that has introduced contemporary western literature and art theories into China,an increasing number of artists have turned to the pursuit of technology-based creation and visual effects,leading to the loss of people-centered senses in contemporary Chinese painting.By combining traditional techniques and spirits of the times,Wang Laiwen improved the academic system of line drawing in Fujian in terms of techniques and theories and put forward the ideal of reviving line drawing.He promoted the aesthetic creation of the new era while carrying forward traditions,explored the times and life in his rational,abstract reconstruction of lines,persisted in exploring the depth and vitality of traditional ink paintings while integrating the true taste of life,so as to act on the far-sighted vision of the Chinese line drawing in practice and to carry back on track the traditions of line drawing in Fujian.
作者
胡泊
黄佳琦
Hu Po;Huang Jiaqi
出处
《美术》
北大核心
2023年第3期44-49,F0003,共7页
Art Magazine
关键词
王来文
白描
花鸟画
Wang Laiwen
line drawings
flower and bird paintings
