摘要
亳州清音戏是中国安徽省亳州市及其周边区域流传的民间音乐曲种之一,它是清音与山东琴书、单弦牌子曲、南阳大曲、陕北曲子戏等多种曲种在亳州碰撞并融合的产物。关于它的文献记载极度匮乏,并且相互抵牾的地方很多。但是,通过对其口述资料的收集和梳理,可以揭示出该曲种概念的口头传播以及命名的潜在规律。通过对这些口述资料的特征分析,可以发现不同的口述人提供的个体记忆最终能够形成一种集体的关于亳州清音的记忆,对重构和解构亳州清音戏具有不同的力量和作用。通过亳州清音从业艺人的口述可以廓清亳州清音戏的四大源头和不同的流派,反映出他们在文化记忆缺失的局面下移形换步,通过曲艺向戏曲的转型的形式努力在社会文化供需平衡的夹缝中步履蹒跚地前行。
Bozhou Qingyin Opera is one of the popular folk music genres in Bozhou City and its surrounding areas in Anhui Province,China.It is the product of the collision and integration of Qingyin with Shandong Qinshu,single string brand song,Nanyang Daqu,Shaanxi Northern Quzi opera and other genres in Bozhou.The literature about it is extremely scarce,and there are many contradictions.However,through the collection and sorting of its oral materials,we can reveal the oral dissemination of the concept of the song and the potential law of naming.Through the analysis of the characteristics of these oral materials,it can be found that the individual memory provided by different oral speakers can finally form a collective memory about Bozhou Qingyin,which has different forces and functions in reconstructing and structuring Bozhou Qingyin drama.The staggering transition of Bozhou opera’s four styles of singing and recording can reflect the balance of Bozhou opera’s culture.
作者
刘宇统
陈元碧
LIU Yu-tong;CHEN Yuan-bi(Department of Music,Bozhou University,Bozhou Anhui 236800,China)
出处
《湖北第二师范学院学报》
2023年第1期23-31,共9页
Journal of Hubei University of Education
基金
国家社科基金艺术学项目“少数民族音乐文化失忆与重构问题研究”(批准号:17BD083
项目编号:2017FD03059)。
关键词
亳州清音戏
亳州清音
口述史
Bozhou Qingyin Opera
Bozhou Qingyin
oral history
