摘要
艺术生产理论将艺术创作、艺术作品、艺术接受作为一个完整的艺术实践活动进行研究。文章藉艺术生产理论视角,选取大别山地区的两首革命题材歌曲《八月桂花遍地开》《再见了,大别山》,结合时代特征,对这两首歌曲在文化语境、创作方式、传播媒介、受众群体等进行比较分析。得出结论,两部音乐作品虽有诸多不同,但均成功流传,传唱不息,其中折射出来的创作理念与思路,或可为新时代主旋律歌曲的创作提供借鉴。
An overall study of artistic creation, artistic works and artistic reception are made by the theory of "Artistic Production" as a complete artistic practice activity, revealing the mystery of artistic production system and opening a new view for theoretical researchers. From the perspective of artistic production theory, this paper compares two revolutionary songs in Dabie Mountains, Osmanthus Flowers Blossoms Everywhere in August and Goodbye, Dabie Mountains, making a systematic study of their creation methods,cultural context, different audiences, medium dissemination method and other related information. The two works, though different in many aspects, have been popular and well-recognized for many years. And the creative idea and thinking reflected in two works may provide reference for the current theme song creation in the new era.
作者
陈真
柏玺
CHEN Zhen;BAI Xi
出处
《淮南师范学院学报》
2022年第4期119-123,共5页
Journal of Huainan Normal University
关键词
艺术生产理论
革命题材歌曲
主旋律
artistic production
revolutionary songs
central theme
