摘要
目的阐析扬州与苏州传统建筑雕饰图式构成的异同及其原因。方法结合大量扬州与苏州传统建筑中的木雕、石雕、砖雕等实例,并以复杂的自然类、故事类题材为标准,从图式构成角度来进行分析,综合比较两地传统建筑雕饰图式的平面、立体形式构成,设图手法与布局技巧、构图关系与物象表达等。结果扬州与苏州传统建筑雕饰图式构成依据不同的实用目的、不同的审美要求、不同的题材内容,以及不同的材料和制作工艺条件,呈现出多种多样的地域性特征。结论受多重地域性因素的影响,扬州与苏州传统建筑雕饰的图式构成在特征上分别往“平面化”和“立体化”的趋势演进。源于扬州的传统建筑雕饰多用平视体构图,决定了扬州传统建筑雕饰趋向“平面化”,而苏州传统建筑雕饰以立视体构图形式居多,则向“立体化”发展。
The work aims to expound the similarities and differences of pattern composition of traditional architectural carvings in Yangzhou and Suzhou and explore the corresponding causes.Based on a large number of wood carvings,stone carvings and brick carvings in the traditional architectures of Yangzhou and Suzhou,the pattern composition was analyzed with complex natural and story themes as the standard,and the plane composition,three-dimensional composition,design techniques,layout skills,compositional relationship and object expression were compared comprehensively in the traditional architectural carving patterns of Yangzhou and Suzhou.The pattern composition of traditional architectural carvings in Yangzhou and Suzhou presented various formal features according to different practical purposes,aesthetic requirements,subject matter content,as well as materials and craftsmanship.The pattern composition of traditional architectural carvings in Yangzhou and Suzhou evolves towards"planarization"and"three-dimensionalization"due to the effects of multiple regional factors.Yangzhou carvings mostly adopt head-up composition,which determines that Yangzhou carvings tend to be"planarization",while Suzhou carvings mostly adopt stereo composition,so the Suzhou carvings are developing towards"three-dimensionalization".
作者
程欣
韩荣
CHENG Xin;HAN Rong(Jiangsu Open University,Nanjing 210036,China;Jiangsu University,Jiangsu Zhenjiang 212013,China)
出处
《包装工程》
CAS
北大核心
2023年第4期219-232,共14页
Packaging Engineering
基金
江苏省高校哲学社会科学研究项目(2020SJA0758)
江苏省高职院校青年教师企业实践培训资助项目(2020QYSJPX028)
江苏省大学生创新创业训练计划项目(202014000002Y)。
关键词
传统建筑
雕饰
图式构成
比较
traditional architecture
carvings
pattern composition
comparison
