摘要
审美精神最直观的意义是对象呈现给我们的一种具有普遍性的精神感觉,这种精神感觉具有价值内涵,是对可感觉到的价值内涵的肯定;审美精神也是我们用诸种理念对对象进行审美统摄的结果,理念的介入使审美精神可以把对人生、自然与社会之“一般性”的思考引入到对审美对象的理解中,从而使审美对象和艺术作品成为“精神”的一部分;审美精神也是时代精神与民族精神在审美对象与艺术作品中的显现,同时揭示着时代与心灵的矛盾及其和解,是对时代之真与心灵之解放的显现。这三个层次的内涵都是号召:号召人们去探寻普遍的肯定性的精神感觉,从而坚守精神活动的审美性;号召在审美中使用理念的统摄性,把理性与感性结合起来而不是分裂开;号召在审美中从时代精神与民族精神这个层次上,对审美对象进行意义与价值的反思。
The most intuitive meaning of aesthetic spirit is to present a universal spiritual sense by the objects.This kindof spiritual feeling has value connotation,which is the affirmation of the perceptible value connotation,as well as aresult what the various ideas are aimed at the objects by the way of overlapping on Aesthetics.The intervention ofideas could make the aesthetics spirit introduce the general thinking of the life,nature and society into the compre-hension of the aesthetic objects so as to let the aesthetic objects and art works become a part of“Spirit”.The aes-thetic spirit is also the manifestation of the spirit of the age and nation in the aesthetic objects or the art works.Atthe same time,it reveals the contradiction and reconciliation between the times and the mind,which is the manifes-tation of the truth of the times and the liberation of the mind.The connotation of these three levels is appealing:callon people to explore the generally positive spiritual feeling so as to stick to the aesthetic nature of spiritual activi-ties.It calls for the unity of the use of ideas in aesthetics,combining rationality with sensibility,rather than splittingthem.From the perspective of the spirit of the times and nationality,it calls for reflection on the significance andvalue of aesthetic objects in aesthetics.
出处
《社会科学辑刊》
CSSCI
北大核心
2023年第1期203-213,239,共12页
Social Science Journal
基金
国家社会科学基金艺术学重大项目(20ZD28)。
