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清末民初山西民间刺绣纹样民俗文化内涵研究

Study on the folk cultural connotation of Shanxi folk embroidery patterns in the Late Qing Dynasty and the Early Republic of China
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摘要 山西刺绣,也可称为晋绣,具有悠久的历史,在发展过程中,由于受到了黄河流域中原文化、晋北少数民族文化以及汉传佛教文化的影响,逐渐形成了具有地方特色的艺术特征及民俗文化内涵。文章以140件(套)清末民初山西本地出色的刺绣作品为例,结合已有文献资料,研究其蕴含的丰富的民俗文化内涵,为刺绣纹样的现代商业化演变提供理论依据。 Shanxi Embroidery,also known as Jin Embroidery,has a long history.In the process of development,due to the influence of the Central Plains culture of the Yellow River basin,the culture of the northern Shanxi ethnic minorities and the Han Buddhist culture,Shanxi Embroidery has gradually formed the artistic characteristics and the connotation of folk culture with local characteristics.Taking 140 pieces(sets)of outstanding local embroidery works in Shanxi in the late Qing Dynasty and the early Republic of China as examples,combined with the existing literature,this paper studies the rich folk culture connotation,and provides a theoretical basis for the modern commercial evolution of embroidery patterns.
作者 温婧 Wen Jing(Shanxi Vocational University of Engineering Science and Technology,Jinzhong 030600,China)
出处 《纺织报告》 2022年第12期106-108,共3页
关键词 晋绣 纹样艺术 民俗文化 Jin Embroidery pattern art folk culture
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