摘要
选取19组安徽省地级市的古、新八景,基于“三元传播模式”,总结与对比创作者、传播载体、欣赏者及内容方面的传播特征差异,对大学生进行半结构化访谈,通过编码技术和社会网络分析法构建景名审美机制。研究发现:(1)八景从古到新经历了从上流化到大众化的变化;(2)古八景的审美重点在于“虚”的情感感知和理解,而新八景偏向于“实”的了解和体验;(3)景名审美机制模型涵盖美的审视、美的共创、美的转移、美的理解、美的知觉和美的表达6个维度,各维度间的互动反映了“情理入—创想出”的特点。
Taking 19 groups of ancient and new “Eight Landscapes” of prefecture-level cities in Anhui province as the research object, based on the triadic pattern of communication, the differences in communication characteristics of creators, communication carriers, readers and content were summarized and compared. A semi-structured in-depth interview was conducted with college students, and the aesthetic mechanism of landscapes’ name was constructed through coding technology and social network analysis. The results showed that:(1)From ancient times to now, the existence of “Eight Landscapes” has changed from upper-class to the public;(2)The aesthetic of the ancient “Eight Landscapes” lies in the emotional perception and understanding of virtual conception, while that of the new “Eight Landscapes” tends to the understanding and real experience;(3)The model of aesthetic mechanism of landscapes’ name covers six dimensions, including aesthetic interpretation, aesthetic co-creation, aesthetic transfer, aesthetic understanding, aesthetic perception and aesthetic expression. And the interaction between them reflects the characteristics of “emotion in-imagination out”.
作者
朱文娟
杨钊
王盼盼
ZHU Wen-juan;YANG Zhao;WANG Pan-pan(College of Geography and Tourism,Anhui Normal University,Wuhu 241000,Anhui,China;Tourism Development and Planning Research Center,Anhui Normal University,Wuhu 241000,Anhui,China)
出处
《云南地理环境研究》
2022年第6期57-66,共10页
Yunnan Geographic Environment Research
关键词
古、新八景
三元传播模式
景名审美
安徽省
ancient and new“Eight Landscapes”
triadic pattern of communication
aesthetics of landscapes’name
Anhui Province
