摘要
新时期以来,关于“白蛇传”的重述呈现出了丰富而多元的写作态势。一方面,囿于政治创伤,作家急于抛弃1950年代“戏改”以来“白蛇传”重述中“阶级论”的意识形态,重新展开对人的主体性的反思;另一方面,受同一经验史的影响,“白蛇传”的重述也折射出不同地区和文化背景下作者群体与“历史-文化共同体”对话的渴望,并包含了作家们对历史、性别与身份等现代性议题的思考与追问。但是,“先锋写作”姿态下的神话书写无可避免地走向了对自身美学意义的解构,只有保留自身的神性特征,发挥“民间性”活态文化的优势,注重学理性与文化考据,才能实现一种符合时代价值的文化认同。
Since the new era,“The Retelling of the White Snake”has presented a writing situation of many voices.On one hand,constrained by the political trauma,the writer is eager to abandon the ideology of“class struggle”in“The Story of the White Snake”since the“drama reform”in the 1950s,and restarted the reflection on the subjectivity of human beings.On the other hand,influenced by the same experience and history,the White Snake is a common rewriting object of writers from the mainland,Hong Kong,Taiwan,and overseas.It reflects their desire for dialogue as a“history-cultural community”in China,and also contains the writers’thinking and questioning of modern issues such as history,gender,and identity.However,in“Avant-garde writing”,mythology inevitably goes to the deconstruction of its aesthetic meaning.So only by retaining its divine characteristics,giving play to the advantages of“folk”living culture,and paying attention to the scientific reason and cultural textual research,can a cultural identity conform to the value of The Times could be realized.
作者
崔芃昊
CUI Penghao(School of Literature,Beijing Language and Culture University,Beijing 10083)
出处
《陕西理工大学学报（社会科学版）》
2022年第6期68-76,共9页
Journal of Shaanxi University of Technology(Social Science)
关键词
新时期
白蛇传重述
意识形态
人性复归
先锋写作
文化反思
new era
retelling the story of the White Snake
ideology
the return of humanity
Avant-garde writing
cultural reflection
