摘要
文学史研究中有关文学艺术形式的探讨,有待于在当代语言学前沿理论的视野下进行新的发掘和审视。韵律乃汉语文学语言艺术之基石,可据此提出建立汉语韵律文学史的构想。汉语韵律文学史建基于“语言—文学同步发展”的原理,其理论构架由五个子系统构成:汉语韵律文学的断代史、汉语韵律文学的艺术史、汉语韵律文学的文体史、汉语韵律文学的作家史和汉语韵律文学的理论史。断代史、艺术史和文体史对作家史而言具有原理性和综合性,作家史对断代史、艺术史、文体史而言则具有材料性和个案性。理论史是前四者的集成与指南。以上五者,既相互联系,又彼此独立。汉语韵律文学史为文学史理论的构建提供了以语言为基础发掘不同文学艺术之美的新方法和研究路径。
In the study of literary history,inquiry into the artistic forms is an area yet to be further explored through the new lens of cutting-edge theories of contemporary linguistics.Since prosody is a foundation stone of Chinese(Hanyu)literary art,a framework of history of Chinese prosodic literature can thus be established.Such a history takes the principle of the synchronous development of language and literature as its basis,with a theoretical structure consisting of five subsystems,i.e.,the chronological history of Chinese prosodic literature,the art history of Chinese prosodic literature,the genre history of Chinese prosodic literature,the history of writers in Chinese prosodic literature,and the history of theories of Chinese prosodic literature.The former three are of principal and comprehensive significance to the fourth one that in return is of material and case-study significance to the former three,while the theoretical history provides an abstract integration and guidance for the first four.The five subsystems are both interrelated and independent.This proposition is aimed at providing a distinctively new aesthetic approach to the appreciation and study of language-based beauty of literature in the construction of theoretical history of Chinese literature.
出处
《中国社会科学》
CSSCI
北大核心
2022年第11期27-48,204,205,共24页
Social Sciences in China
