摘要
在清代美术史中,龚贤作为创作与理论皆丰的、颇具代表性的画家、画论家,其绘画理论的美学思想内涵丰富并且影响深远。龚贤绘画美学思想重视传统与笔墨,追求逸品,强调师造化、出古人、创新格,这些思想不仅在因袭成风的清初画坛极其宝贵,对当下中国美术的健康发展也具有深刻的启示意义与指导作用。
In the Art History,Gong Xian,with rich connotations and far-reaching impact in the aesthetic thoughts of his painting theories,is a representative artist and theoretician in Qing Dynasty.He emphasises the tradition and the usage of brushwork in his aesthetic thougts of painting theories.Besides,He also rejects the mere imitation of predecessors and stresses the importance of learning from nature as well as the significance of innovation.His ideas were not only invaluable in the painting circles in the early Qing Dynasty,which was characterised by a culture of imitation,but they are also a profound source of inspiration and guidance for the development of Chinese Fine Art today.
出处
《中国美学》
2022年第1期174-190,共17页
Chinese Aesthetics
基金
国家社科基金艺术学一般项目"中国现当代美术批评史"(项目编号:21BF081)阶段性成果。
关键词
龚贤
师造化
出古人
创新格
美学思想
Gong Xian
Learning from Nature
Excel the Predecessors
Innovation
Aesthetic Thoughts
