摘要
歌德提出的“世界文学”的构想为文学的“共同”取向奠定了基础,马克思和恩格斯有关“世界的文学”的论述则为这一构想提供了切实的现实实践途径。“共同文学”的思想曾历经了全球化背景下以“西方中心”为前提的“世界主义”,到“跨民族/跨文化”的文学交互影响,再到“文学共同体”意识的生成,这样的一种逐次演进的过程。但在“同一性”的“现代性”框架内寻求文学的共性,始终无法摆脱文学将趋于“同质化复制”的困境。当我们从“差异性”的绝对性出发,将作家还原为本然“单体”的“书写者”形态时,书写活动自身的“召唤/汇聚”功能可以充分激发“共同体”的生成与显现,这一路向无疑能够为“文学共同体”的真正建构提供全新的启发。
The conception of“world literature”proposed by Goethe has laid a foundation for the“commonness”orientation of literature,and the discussion of Marx and Engels about“world literature”has offered an effective means of realistic practice to this conception.The idea of“common literature”has experienced a progressive evolution from“cosmopolitanism”on the premise of“western centralism”against the background of globalism,through the“interactive”influence of“multinational/cross-cultural”literature,to the generation of the consciousness of“literary community”.But the dilemma that literature will incline to“homogeneous replication”can’t be broken away to seek the“commonness”of literature in the“homogeneous”framework of“modernity”.When we start from the absoluteness of“otherness”,and return“writers”to the“writer”status of natural“monomer”,the“recalling/convergence”function of the“writing”activity itself can fully stimulate the“generation”and“manifestation”of“community”.This direction can undoubtedly offer brand new inspiration to the true construction of“literary community”.
作者
贺昌盛
刘利娟
HE Chang-sheng;LIU Li-juan
出处
《中南民族大学学报（人文社会科学版）》
CSSCI
北大核心
2022年第11期152-158,187,共8页
Journal of South-Central Minzu University (Humanities and Social Sciences)
关键词
世界文学
共同体
同一性
差异性
world literature
community
homogeneity
otherness
