摘要
基于空间叙事理论,从空间与时间、空间与意象、空间与连类铺陈三个维度探究宫怨赋《长门赋》中空间叙事对主人公情感表达的作用。分析发现:空间与时间交错变化的叙事能够让人物形象栩栩如生,增强了叙事的感染力;文中与女主人公状态或相似或相反的多变主体意象与情境意象相交织,让人在诸多意象中体会到更强的情感共情力;连类叙事中宫殿建筑细节的描绘夸饰对女主人公的情感表达起到了反衬与讽刺的作用。这三个方面相互融合交织,从各个层面不断加强情感表达,深化主题。
Based on the theory of spatial narration,the author explores the effect of spatial narration on the protagonist’s emotional expression in Changmen Fu(长门赋)from three dimensions as space and time,space and image,space and continuous description.It is found that:the space and time interlaced narration can make the characters vivid and enhance the appeal of the narration;the variable subject image similar or opposite to the heroine’s state and the situation image intertwined,so that people can experience stronger emotional empathy in many images;the exaggeration of the details of the palace architecture in the narration plays a role of contrast and satire in the heroine’s emotional expression.By these skills,the emotional expression is strengthened and the theme is deepened from all levels.
作者
刘艳丽
LIU Yan-li(School of International Education,Zhengzhou University of Light Industry,Zhengzhou 450002,China)
出处
《辽东学院学报(社会科学版)》
2022年第5期15-18,共4页
Journal of Liaodong University:Social Science Edition
基金
教育部人文社会科学项目“中国哲学典籍英译史研究”(18YJCZH048)。
关键词
空间叙事
《长门赋》
宫怨赋
spatial narration
Changmen Fu(长门赋)
Fu themed with resertment of women in palace