摘要
在视觉优先的"景观社会"中,数字科技的应用正以"奇观化"的修辞,参与表演艺术实践的空间景观形塑。数字空间奇观化的典型样貌可归纳为沉浸式、流动式、幻想互动式以及公共空间激活式。数字化技术不仅体现在对表演空间的物质性改造,更以一种空间隐喻的方式进行意义生产和表征叙事,建构和阐释文化空间之中的艺术作品的价值要义。在与表演艺术本体结合的前提下,可以将场景作为考察空间叙事的具体发散点,进而从三个递进层面理解数字化表演艺术的空间叙事,分别是物理语境层、时空体复合层、文化符号表征层。
In the "Landscape Society" where vision is the priority, with the rhetoric of "spectacle", the digital technology is taking part in the shaping of the spatial landscape of the practice of performing arts.The typical appearances of the spectacle of digital space can be summarized as immersive, fluid, fantasy-interactive and public space activation. Digital technology is not only embodied in the material transformation of the performance space, but also in a way of spatial metaphor for meaning production and representational narration, constructing and interpreting the value of artistic works in the cultural space. Under the premise of combining with the ontology of performing arts, the scene can be used as a specific divergence point for investigating spatial narratives, and then digitalization can be understood from three progressive levels:physical context layer, the time-space complex layer, and the cultural symbol representation layer.
出处
《北京文化创意》
2021年第2期57-62,共6页
Beijing Culture Creativity
基金
北京服装学院青年教师启动项目“数字化表演艺术的跨文化传播研究”(项目编号:YS20-1002403)的阶段性成果
关键词
表演艺术数字化
数字艺术奇观化
空间叙事
performing arts
digitalization
digital art
spectacle
spatial narration
