摘要
由于共同的时代经历,20世纪80年代青年作家群体具有相似的自我身份认同,阿城却以其文学作品中的独特文化意识,呈现出不能被身份认知共同体纳入建构之中的异质性,站在了集体的边缘。80年代青年作家与阿城对自我身份的认同,有两种根本上的差异,其一,是遭遇苦难的受害者与隔离苦难的反思者之间的差异;其二,是寻根的启蒙者与随处扎根的世俗参与者之间的差异。特殊的自我身份认知使得阿城获得了与众不同的文学史形象,而他对自我身份的保存和坚持也导致了文学史对其进行身份归类时的话语混乱。
While the group of young writers of the 1980s in China share a similar self-identity due to their common experience of the times.Ah Cheng,with his unique cultural awareness in his literary works,presents a heterogeneity that cannot be incorporated into the construction of the identity cognitive community and stands at the edge of the collective.The first is the difference between the victim of suffering and the reflector who isolates the suffering;the second is the difference between the enlightened person who seeks his roots and the secular participant who takes root everywhere.His special perception of self-identity has given Ah Cheng a distinctive image in literary history,while his preservation and insistence on self-identity has also led to a confusion of discourse in the categorization of his identity by literary history.
作者
夏乙天
XIA Yi-tian(College of Literature,Liaoning University,Shenyang 110136,China)
出处
《沈阳工程学院学报（社会科学版）》
2022年第4期13-18,30,共7页
Journal of Shenyang Institute of Engineering:Social Science
