摘要
抗战以来,文人的重庆印象、重庆体验虽趣舍万殊,但因作家自身的政治定位、其时社会氛围的裹挟而在笔下形塑出战时重庆“统一”的模样。这种“统一”凝结成一种关于重庆的整体公共印象,也锚定了战时重庆本身丰富的阐释空间。抗战时期,端木蕻良在重庆创作了数目可观的作品,“东北味”褪去,“重庆风”尽显。其重庆书写以下江人的“他者”视角折射出一个镜像的“他城”,达到对重庆城市想象“另一面”的召唤与建构。摆脱了“整体”的城市文化眼光,返回端木蕻良的“重庆”,端木蕻良的重庆书写理应带给文学史与城市史更宝贵的收获。
Since the war,the impressions and experiences of Chongqing by literary figures have varied widely,but the writers'own political positioning and the social atmosphere of the time have shaped the"unity"of wartime Chongqing in their writing.This'unity'is a public impression of Chongqing as a whole,and anchors the richness of its interpretive space.During the war period,DuanmuHongliang produced a considerable number of works in Chongqing,with the'northeastern flavour'fading and the'Chongqing style'showing through.His writings on Chongqing reflect a mirror image of the'other city'from the perspective of the'other'of the people of Xiajiang.The story is a quiet migration of meaning to the'other side'of Chongqing's urban imagination.By moving away from a'holistic'vision of urban culture and returning to the'Chongqing'of DuanmuHongliang,his writing on Chongqing should bring more valuable gains to literary and urban history.
作者
王开轩
WANG Kai-xuan(College of Arts,Southwest University,Chongqing 400715,China)
出处
《沈阳工程学院学报（社会科学版）》
2022年第4期74-79,共6页
Journal of Shenyang Institute of Engineering:Social Science
基金
重庆市研究生创新项目(CYS21087)。
关键词
端木蕻良
重庆
城市想象
DuanmuHongliang
Chongqing
urban imagination
