摘要
在福柯的空间理论中,北京的中华民族园这个完美的、真实的民族空间就是一个“异托邦”。与这一空间相联系的群体,共同维护着一种文化想象,通过不断强调其自我文明的异质性,将中华民族园推向一个他者的空间。当鲜活的民族文化成为一种博物馆似的展览,中华民族园的空间改造揭示了现代化进程中民族文化面临的普遍困境,即与现代文化割裂,并成为“传统的、落后的”的表征。
In Foucault's theory of space,the perfect and real national space of the Chinese Ethnic Culture Park is a"heterotopia".The groups associated with this space jointly maintain a kind of cultural imagination and push the park into a space of others by constantly emphasizing the heterogeneity of their own civilization.When the ethnic culture becomes a kind of museum exhibition,the space transformation of the park reveals the common dilemma faced by ethnic culture in the process of modernization,which is separated from modern culture and becomes the representation of"traditional and backward".
作者
谭婷
TAN Ting(The Cooperative Experimental School of RDFZ and BDFX,Beijing,100194,China)
出处
《文化创新比较研究》
2021年第29期130-133,共4页
Comparative Study of Cultural Innovation
关键词
中华民族园
异托邦
少数民族
空间想象
The Chinese Ethnic Culture Park
Heterotopia
Ethnic groups
Space imagination
