摘要
《女红传征略》的编纂是朱启钤《哲匠录》酝酿成形的重要推导力量。作为其关于“哲匠”资料整理的宏伟计划的最初完成部分,《女红传征略》是20世纪初有关中国古代女性工匠的研究中最具代表性的参考资料集之一。在这本书里,朱启钤收集记录了古代众多的“女红”工匠,其有关“绣工”方面的资料尤为丰富。本文从《哲匠录》中将“女红”作为研究主体的《女红传征略》出发,特别对其中关于“女德”的隐喻以及以古代“绣工”为代表的“女红”的研究展开分析,并旁涉丁佩《绣谱》及沈寿《雪宧绣谱》所透露的相关信息,共同探讨古代女性工匠形象所发生的改变。
Zhu Qiqian’s Nvgongzhuan zhenglve(Rectified records of women artisans)was an inspiration for his main research project Zhejianglu(Biographies of master craftsmen).As soon as it was completed,the Nvgongzhuan zhenglve became an important reference material for early-twentieth-century research on women artisans of the past.Although Zhu Qiqian collected material on many different crafts,the information on embroidery is particularly rich.This article explores the meaning of“female virtue”and“women artisans”as represented by the embroidery artisans in the Nvgongzhuan Zhenglue.Then,based on an analysis of Ding Pei’s Xiupu(Embroidery book)and Shen Shou’s Xue Yi xiupu(Embroidery book of Xue Yi),the article elaborates the changes in the historical image of women artisans taking place over time.
出处
《建筑史学刊》
2022年第3期104-109,共6页
Journal of Architectural History
基金
浙江省哲学社会科学领军人才青年英才培育专项重大课题“《女红传征略》与中国古代女性工匠研究”(21QNYC08ZD)。
