摘要
影像音乐民族志作为一种新型书写与表达方式,它是运用影像作为音乐民族志文本建构的媒介载体和有效手段,对特定族群的社会音乐生活和民间文化习俗进行真实客观、多维立体的视听文本纪录和影像叙事呈现。从“影像音乐民族志”的词源概念入手,在不同“时空场域”和“历史语境”的文化坐标中,对其历史发展的概念变迁与生成过程予以“脉络化”梳理,并对“影像音乐民族志”在中国实践的经典个案和由此产生的相关理论经验进行学术探讨,在学科文化批评和学术自我反思中不断总结“影像音乐民族志”的理论方法与研究路径,从而推动“影像音乐民族志”在学科建设层面的深入发展和创新探索,为中国民族音乐学当代学术理论话语体系构建贡献力量。
As a new type of writing and expression,the video music ethnography is to use the video as the media carrier and effective means of the text construction of the music ethnography to record the social music life and folk cultural customs of a specific ethnic group in a real,objective,multi-dimensional and three-dimensional visual text and image narrative presentation.We should start with the etymological concept of "video music ethnography",sort out the conceptual changes and generation processes in different historical development stages in the cultural coordinates of different "time and space fields" and "historical context",and conduct academic discussions on the classic cases of "video music ethnography" in China and the relevant theoretical experience arising therefrom.In the course of discipline cultural criticism and academic self reflection,we have constantly summarized the theoretical methods and research paths of "video music ethnography",so as to promote the in-depth development and innovative exploration of "video music ethnography" at the level of discipline construction and contribute to the construction of the contemporary academic theoretical discourse system of Chinese ethnomusicology.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2022年第3期139-145,I0004,共8页
Journal of Nanjing Arts Institute:Music & Performance
基金
2021年度教育部人文社会科学研究青年基金项目“‘一带一路’背景下中越跨界壮-岱/侬族群仪式音乐表演民族志研究”(项目编号:21YJC760044)阶段性成果。
关键词
影像音乐民族志
历史生成
影像文本
中国实践
批评反思
video music ethnography
historical generation
video text
Chinese practice
critical reflection
