摘要
儒家中庸思想是《文心雕龙》折衷文学观念的理论根基。在文学批评中,刘勰将“惟务折衷”的观念推及《文心雕龙》的批评实践之中,确立“折衷”的批评标准,创设“折衷性”批评范畴,践行“平理若衡”的批评立场。在文本形态上,刘勰采用形象化描述与思辨性论述两种语言模式,由理论内核到外部形式,全面实现了从哲学中庸到文学折衷的观念塑成。
The Confucian doctrine of the mean is the theoretical foundation of the eclectic literary concept in Wen Xin Diao Long. In literary criticism, Liu Xie introduces the eclectic concept into the critical practice of Wen Xin Diao Long, establishes the critical standard of eclectic concept, creates the critical category of eclectic concept, and practices the critical position of “fairness and balance”. In the form of text, Liu Xie adopts two language modes: visual description and speculative discussion, from the theoretical core to the external form, and comprehensively realizes the concept of “the golden mean of philosophy” to “the eclectic of literature”.
作者
唐萌
TANG Meng(School of Chinese Language and Literature,Beijing Foreign Studies University,Beijing100089,China)
出处
《河北学刊》
CSSCI
北大核心
2022年第5期124-130,共7页
Hebei Academic Journal
基金
2020年度国家社会科学基金重大项目“百年中国文学批评史研究的范式重构”(20&ZD282)。
关键词
《文心雕龙》
中庸思想
折衷观念
Wen Xin Diao Long
the doctrine of the mean
eclectic concept
