摘要
"折衷"作为《文心雕龙》的主要论文方法,其运用模式较典型地体现于《辨骚》篇。就"辨《骚》"而言,刘勰在对汉代诸家关于经、《骚》关系所持论点进行梳理,以及对于"骚经"(概指《楚辞》)本身进行"擘肌分理"的基础上,准确把握了关于这一问题的"势"和"理",即《辨骚》中《楚辞》"四同"、"四异"于经书的结论。关于这一点,在《楚辞》文本中是有迹可寻的。
＂ZheZhong＂,the key method of evaluating literary works in WenXinDiaoLong,is typically used in BianSao.As far as ＂sao＂（a genre of poem typically represented by ChuCi） was concerned,Liu Xie accurately grasped its very nature not only based on his careful examinations of previous attitudes held by scholars of Han dynasty towards the relationship between the classics and Sao,but also on his thorough analyses of the text（ChuCi） itself.Here,the nature of Sao is best illustrated through the four similarities and four differences between ChuCi and the classics,which can be clearly detected in ChuCi itself.
出处
《云梦学刊》
2007年第5期49-53,共5页
Journal of Yunmeng
