摘要
麻姑故事是中韩两国共有的神话叙事文本。中国麻姑神话从原初就呈现出年轻貌美的长寿女神形象,韩国麻姑神话则出现调节海事的海神、游访人间的仙女和创世的巨人奶奶等形象。历史上,中韩麻姑神话都经历了神话走向宗教、日常和艺术审美的演绎之路,中国麻姑神话蓄养出“神人入凡家→凡人入仙府→仙人系凡间”的单向叙事模式;韩国麻姑神话发展出“仙女游访→仙女赐药救民”和“奶奶筑城创世→奶奶助民救世”双途叙事模式,交错有“仙女+创世的混合体”叙事模式。到了现代,中韩麻姑神话继续走出了不同的传播之路。基于文图互释的角度考察可以发现,中韩麻姑神话虽命名方式、演绎历程和传播路径有不同之处,但明显存在一定亲缘关系,并由此反映出各自民族文化心理。
The story of Magu is a mythological narrative shared by China and South Korea. From the beginning, Chinese Magu has presented the image of a young and beautiful goddess of longevity, while Korean Magu presents the images of the sea goddess who regulates maritime affairs, the fairy who visits the world, and the powerful grandmother who creates the world. In history, the Chinese and Korean Magu mythologies have all gone through the myth’s path towards religion, daily and artistic aesthetics. The Chinese mythology of Magu has developed a one-way narrative mode of “Goddess Entering the Mortal House →The Mortal Entering the Immortal House →The Immortal Concerning the Mortal World”;Korean Magu mythologies have developed a dual narrative mode of “Goddess Visiting→Goddess Giving Medicine to Save the People” and “Grandma Picking up Stones to Build a City→Grandma Helping People to Save the World, Fairy Making Medicines to Save People”, interlaced with the “Goddess + Creating Hybrid” narrative mode. In modern times, Magu mythologies in China and South Korea have continued to have different paths of dissemination. Based on the perspective of mutual interpretation of texts and pictures, it is found that although the naming methods, deduction processes and communication paths of Magu myths in China and South Korea are different, they obviously have a certain kinship, which reflects their national cultural psychology.
出处
《中国比较文学》
CSSCI
北大核心
2022年第2期101-117,共17页
Comparative Literature in China
基金
国家社科基金重大招标项目“中国现代文学图像文献整理与研究”(16ZDA188)
国家社科基金一般项目“20世纪中国文学名著的连环画改编研究”(21BZW038)的阶段性成果。
关键词
中韩麻姑神话
传播
文图互释
Magu myth in China and South Korea
dissemination
mutual interpretation of text and picture
